Post by Alinne on Jul 10, 2004 1:54:58 GMT -5
Stefan Schwarzmann of Helloween
Interview by Marko Syrjala (MS) and Jarno Huovila (JH)
Pictures by Marko Syrjala
On a hot summer day of June 2004 in Helsinki, we got to spend a very entertaining and informative half hour in Tavastia Club with the new drummer of the German power metal outfit Helloween. This being only his first tour with the band, many will probably recognize him better as the ex-drummer of Running Wild and both U.D.O. and Accept. Therefore, the focus of this interview is not solely on Helloween, but on Stefan Schwarzmann's career as a whole.
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After some discussion about how ridiculously expensive beer is in Finland, the interview gets underway....
MS: You're a new member of Helloween, and left U.D.O. several years ago. How did you actually get your job for Helloween?
It was actually a phone call from the band's producer Charlie Bauerfeind, who did the last two records as a producer and sound engineer. He rung me up because we, Sascha [Gerstner] the new guitar player, Charlie, myself, and the drum tech as well, are from the same area. So he knows me from the past and rung me up [to ask] what I can do or what we can do, if I've got time, and business things like that. And it was greenlit.
MS: What did you actually do after leaving U.D.O.? There's been a couple of years [in between].
SS: Several things. I did many studio works with different bands, known and unknown bands. For example Voice, you may have heard about them, they're a band from the eastern part of Germany (formerly German Democratic Republic), and it's a kind of power metal. Skew Siskin, I did 90% of the brand new record, titled 'Album of the Year'. I did a percussion tour together with a classical percussion player, I got single jobs with several DJs and I got a drum school in the town I live. Yeah, it never stops, because honestly, I'm a musician and I don't care if it's, don't misunderstand me, any kind of band or project. I have to play and I wanna play, because it's deep inside and that's why I'm here on Earth.
MS: You've never done anything else for living besides playing?
SS: I have. Driving jobs, cabs, those things.
MS: As for the newest Helloween album, 'Rabbit Don't Come Easy', you don't actually play on the album, it's Mikkey Dee mostly and you only play on some songs.
SS: It's 100% Mikkey Dee [on] the album, and the B-sides, that's been my part. I guess it was a kind of a test. For the singles, we used Marcus Grosskopf the bass player's rehearsal studio, so you've got different sound as well [on those tracks]. That's not a job Charlie did, the B-side stuff. That was just a thing between Marcus and me. And I had two days [to do] everything including getting there and setting my set up, which was also not possible, because my set was too big for the room, so I had to make it really very tight. But as I said, it was [all] a kind of a test you know, because the last time we met each other, which means Weiki, Marcus and me, it was in '87. We shared a breakfast room together at that time. At the time I played with Running Wild and Helloween and us shared a breakfast room and it was from '87 to '88 and that was the last time we saw and spoke to each other. [laughter]
JH: Well OK, the last U.D.O. album you played on was 'Holy'...
SS: No.
MS: Actually, Udo [Dirkschneider] told me that it's you.
SS: No, no. Definitely No.
MS: Who was it then?
SS: I've got no idea. I can say, honestly it wasn't me. [laughter] My last record was 'No limits'.
MS: That's strange, because when I asked [Udo], who really plays on 'Holy', he said "It's Stefan". I [then asked] Stefan Kaufmann of Schwarzmann? "Shcwarzmann." he said. I think it's Stefan [Kaufmann] though. I think he was able to play...
SS: I can't say anything about that. Seriously. Because, I'm [being] honest, 'No Limits' was the very last record I did with U.D.O.
MS: Actually, why did you leave U.D.O.?
SS: [Takes a deep breath]
MS: I've heard Udo's version and so I want to hear it from you?
SS: The real truth, to be honest, there is just one album [where] I myself played in the studio, which means, two hands, two feet, as I sit there as a musician, as a drummer. And that's 'Timebomb'. That's the album that I played by myself, the rest was programmed by Mr. Kaufmann. And for me, that was the main reason to leave U.D.O. because it's...
MS: Frustrating?
SS: Absolutely. If I were an not a very nice person or a really bad musician, a bad drummer, or stuff like that, I could appreciate it. I could say "OK, fair enough, I'm too stupid for that.", but that's not the truth. And I couldn't stand it anymore, because it was kind of "Hey, next year you get songs on the album, your own songs you wrote and bla bla bla..." and year and years and years go by. And then there was really a time I said to myself "Hey, there are two ways, the first way is you destroying yourself by keeping your mouth shut and deal with it and lie [to everyone] outside: "Yea, played on bla bla bla..." and deep inside your going "God damned, what a shame." Or you have to make a point and say "OK, that's it." And that was exactly what happened. And everything, left side, right side, top, under, was a lie. That, for me, was the main reasons for leaving. Even with Accept, if I finished the 'Death Row' album, I played, that was me.
MS: Really?
SS: Yeah, exactly.
MS: No credits or anything?
SS: You can read the credits inside the booklet, but come on.
1 (Parte)
Interview by Marko Syrjala (MS) and Jarno Huovila (JH)
Pictures by Marko Syrjala
On a hot summer day of June 2004 in Helsinki, we got to spend a very entertaining and informative half hour in Tavastia Club with the new drummer of the German power metal outfit Helloween. This being only his first tour with the band, many will probably recognize him better as the ex-drummer of Running Wild and both U.D.O. and Accept. Therefore, the focus of this interview is not solely on Helloween, but on Stefan Schwarzmann's career as a whole.
--------------------------------------------------------------------------------
After some discussion about how ridiculously expensive beer is in Finland, the interview gets underway....
MS: You're a new member of Helloween, and left U.D.O. several years ago. How did you actually get your job for Helloween?
It was actually a phone call from the band's producer Charlie Bauerfeind, who did the last two records as a producer and sound engineer. He rung me up because we, Sascha [Gerstner] the new guitar player, Charlie, myself, and the drum tech as well, are from the same area. So he knows me from the past and rung me up [to ask] what I can do or what we can do, if I've got time, and business things like that. And it was greenlit.
MS: What did you actually do after leaving U.D.O.? There's been a couple of years [in between].
SS: Several things. I did many studio works with different bands, known and unknown bands. For example Voice, you may have heard about them, they're a band from the eastern part of Germany (formerly German Democratic Republic), and it's a kind of power metal. Skew Siskin, I did 90% of the brand new record, titled 'Album of the Year'. I did a percussion tour together with a classical percussion player, I got single jobs with several DJs and I got a drum school in the town I live. Yeah, it never stops, because honestly, I'm a musician and I don't care if it's, don't misunderstand me, any kind of band or project. I have to play and I wanna play, because it's deep inside and that's why I'm here on Earth.
MS: You've never done anything else for living besides playing?
SS: I have. Driving jobs, cabs, those things.
MS: As for the newest Helloween album, 'Rabbit Don't Come Easy', you don't actually play on the album, it's Mikkey Dee mostly and you only play on some songs.
SS: It's 100% Mikkey Dee [on] the album, and the B-sides, that's been my part. I guess it was a kind of a test. For the singles, we used Marcus Grosskopf the bass player's rehearsal studio, so you've got different sound as well [on those tracks]. That's not a job Charlie did, the B-side stuff. That was just a thing between Marcus and me. And I had two days [to do] everything including getting there and setting my set up, which was also not possible, because my set was too big for the room, so I had to make it really very tight. But as I said, it was [all] a kind of a test you know, because the last time we met each other, which means Weiki, Marcus and me, it was in '87. We shared a breakfast room together at that time. At the time I played with Running Wild and Helloween and us shared a breakfast room and it was from '87 to '88 and that was the last time we saw and spoke to each other. [laughter]
JH: Well OK, the last U.D.O. album you played on was 'Holy'...
SS: No.
MS: Actually, Udo [Dirkschneider] told me that it's you.
SS: No, no. Definitely No.
MS: Who was it then?
SS: I've got no idea. I can say, honestly it wasn't me. [laughter] My last record was 'No limits'.
MS: That's strange, because when I asked [Udo], who really plays on 'Holy', he said "It's Stefan". I [then asked] Stefan Kaufmann of Schwarzmann? "Shcwarzmann." he said. I think it's Stefan [Kaufmann] though. I think he was able to play...
SS: I can't say anything about that. Seriously. Because, I'm [being] honest, 'No Limits' was the very last record I did with U.D.O.
MS: Actually, why did you leave U.D.O.?
SS: [Takes a deep breath]
MS: I've heard Udo's version and so I want to hear it from you?
SS: The real truth, to be honest, there is just one album [where] I myself played in the studio, which means, two hands, two feet, as I sit there as a musician, as a drummer. And that's 'Timebomb'. That's the album that I played by myself, the rest was programmed by Mr. Kaufmann. And for me, that was the main reason to leave U.D.O. because it's...
MS: Frustrating?
SS: Absolutely. If I were an not a very nice person or a really bad musician, a bad drummer, or stuff like that, I could appreciate it. I could say "OK, fair enough, I'm too stupid for that.", but that's not the truth. And I couldn't stand it anymore, because it was kind of "Hey, next year you get songs on the album, your own songs you wrote and bla bla bla..." and year and years and years go by. And then there was really a time I said to myself "Hey, there are two ways, the first way is you destroying yourself by keeping your mouth shut and deal with it and lie [to everyone] outside: "Yea, played on bla bla bla..." and deep inside your going "God damned, what a shame." Or you have to make a point and say "OK, that's it." And that was exactly what happened. And everything, left side, right side, top, under, was a lie. That, for me, was the main reasons for leaving. Even with Accept, if I finished the 'Death Row' album, I played, that was me.
MS: Really?
SS: Yeah, exactly.
MS: No credits or anything?
SS: You can read the credits inside the booklet, but come on.
1 (Parte)